Lost City Journals: fine art

That's what he told me. I was at a party a few weeks ago and ran into an old friend whom I had not seen in perhaps 20 years. And I had completely forgotten that he had purchased one of my paintings back in the day. He twice repeated this suggestion, and then e-mailed me later to mention it a third time.
I had given up painting for well over a decade (for numerous reasons)—but every now and then, the idea of returning to it would occur to me. And as I am highly susceptible to almost any type of suggestion, my friend's opinion was the deciding factor in "picking up the brush again".

Here's where I had left off:

My Working Method
"I begin with an 18th century formal garden design by Dezallier D’Arganville, French naturalist and author of La Theorie et la pratique du jardinage (1709). His exhuberant and eccentric designs were intended to “outshine Versailles”—and they provide me with a perfect blueprint for my otherworldly compositions. The design is then constructed in three dimensions utilizing Cinema4-D. Lighting and camera angles are manipulated to give me the dramatic effects that I want."